Novels   

• A Mind of Winter (Dedalus, 2023)
• A Provincial Death (Dedalus, 2022)
• The Failing Heart (Dedalus, 2018)

Short stories

• ‘Francis Furlong Disappears’, in Opulent Syntax: An Anthology of Irish Speculative Fiction (Neon Hemlock Press, 2022)

Books

• Imagining Irish Suburbia in Literature and Culture, ed. by Eoghan Smith and Simon Workman (Basingstoke: Palgrave Macmillan, 2018)
• John Banville: Art and Authenticity (Oxford: Peter Lang, 2014)

Edited journals

• The Rise of the Phoenix: Restoration and Renaissance in Contemporary Irish Writing, ed. by Eoghan Smith and Simon Workman, Irish Studies Review special edition, 31.3 (Autumn, 2023)

Peer-reviewed articles & book chapters

• ‘Banville and Europe’ in John Banville in Context, ed. by Nick Taylor-Collins and Bryan Radley (Cambridge: Cambridge University Press, forthcoming)
• ‘Suburbia and Contemporary Irish Writing’, in Companion to Contemporary Irish Writing, ed. by Neil Murphy, Derek Hand and Kathleen Costello-Sullivan (Syracuse: Syracuse University Press, forthcoming)
• ‘Introduction’ (with Simon Workman), ‘The Rise of the Phoenix: Restoration and Renaissance in Contemporary Irish Writing’, ed. by Eoghan Smith and Simon Workman, Irish Studies Review, 31.3 (autumn 2023), 325-330
• ‘The Anxiety of Selfhood’, Symposium Articles Marking the 50^th Anniversary of Lionel Trilling’s Sincerity and Authenticity, Society (August 2022)
• ‘Autonomy, Naturalism and Folklore in Claire Keegan’s Walk the Blue Fields’, Canadian Journal of Irish Studies, 40.2 (Spring 2019), 192-207
• ‘Revivalism, modernism and beyond: Scandinavian influences on Irish literature’, Ireland and the North, ed. by Fionna Barber, Heidi Hansson and Sara Dybris McQuaid (Oxford: Peter Lang, 2019), 267-284.
• ‘John Banville in the Celtic Tiger Years’, Recalling the Celtic Tiger, ed. By Brian Lucey, Eamon Maher, and Eugene O’Brien (Oxford: Peter Lang, 2019), 41-42
• ‘Suburban Literature’, Recalling the Celtic Tiger, ed. By Brian Lucey, Eamon Maher, and Eugene O’Brien (Oxford: Peter Lang, 2019), 309-310
• ‘Introduction’ (with Simon Workman), Imagining Irish Suburbia in Literature and Culture, by Eoghan Smith and Simon Workman (Basingstoke: Palgrave Macmillan, 2018), 1-7
• ‘Suburbia in Irish Literary and Visual Culture’ (with Simon Workman), Imagining Irish Suburbia in Literature and Culture, ed. by Eoghan Smith and Simon Workman (Basingstoke: Palgrave Macmillan, 2018), 77-95
• ‘Elemental and Plain’: Story-telling in Claire Keegan’s Walk the Blue Fields’, Journal of the Short Story in English, 63 (Autumn 2014), 57-68
• ‘‘An Infinity of Pragues’: John Banville’s Prague Pictures’, European Journal of English Studies, 17/2 (Summer 2013), 149-159
• ‘Yeats, Beckett, Banville: Philosophical Idealism and Political Ideology in Modern Irish Writing’, ABEI Journal, 13 (São Paulo: ABEI/Humanitas 2011), 71-82
• ‘After Joyce and Beckett: Art, Authenticity and Politics in the Fiction of John Banville’, The Politics of Irish Writing, ed. by Radvan Markus, Michaela Marková, Hana Pavelková and Katerina Jencová (Prague: Centre for Irish Studies, Charles University, 2010), 36-45

Selected newspaper/magazine articles & reviews

• ‘The Heart in Winter by Kevin Barry’, Books Ireland (June 2024)
• ‘Mary and the Rabbit Dream by Noémi Kiss-Deáki’, 3:AM Magazine (May 2024)
• ‘Irish Fiction 2008-2023: flourishing scene emerges from period of upheaval’, co-authored with Simon Workman, Irish Times (December 27, 2023)
• ‘A Vision of the World’, Irish Writers & Artists Handbook, ed. by Ruth McKee (Wordwell, 2023)
• ‘An Inspector Calls: Prophet Song by Paul Lynch’, Literary Review (September 2023)
• ‘Kala by Colin Walsh’, Books Ireland (July 2023)
• ‘At the World Askance: Nothing Special by Nicole Flattery’, Books Ireland (April 2023)
• ‘Mary McGlynn: Broken Irelands’, Books Ireland (February 2023)
• ‘John Banville: one of the greatest imaginations in Irish literary history’, Books Ireland (January 2023)
• ‘John Banville: The Singularities’, The Irish Times (October 2022)
• ‘Seán Hewitt, All Down Darkness Wide’, Books Ireland (August 2022)
• ‘Ardal O’Hanlon, Brouhaha’, Literary Review (June 2022)
• ‘Fragile tensions and acid humour – Marching Season by Rosemary Jenkinson’, Books Ireland (January 17, 2022)
• ‘Under the Influence – risk-taking in a living stream of art: Gorse editions, no.2’, Books Ireland (November 3, 2021)
• ‘A Paean to the Imagination’: Claire-Louise Bennett’s Checkout 19’, Books Ireland (September 13, 2021)
• ‘Burnished Brilliance: Trouble by Philip Ó Ceallaigh’, Books Ireland (June 25, 2021)
• ‘Anxieties of the present; horrors to come: Line by Niall Bourke’, Books Ireland (May 12, 2021)
• ‘A Loosening and Tightening of the Knot – the artistry of Joanna Walsh’, Books Ireland (April 18, 2021)
• ‘Love, Friendship and the brutality of war: Ciarán McMenamin, The Sunken Road’, The Irish Times (Feb 27, 2021), pp. 61
• ‘Elaine Feeney, As You Were’, Books Ireland (November 12, 2020)
• ‘Guests of a nation still fighting with itself: B.W. Black, The Secret Guests’, The Ticket, The Irish Times (Feb 8, 2020), 21
• ‘The Global Reach of John Banville’s Imagination’, The Irish Times (November 24, 2016)
• ‘It’s that Man again: John Banville’s The Blue Guitar’, Dublin Review of Books (September 2015)
• ‘Imagining the Others: John Banville’s Book of Evidence’, Dublin Review of Books (October 2013)
• ‘Haunted by Ghosts: Joseph O’Connor’s Ghostlight’, Dublin Review of Books (October 2010)
• ‘The Melancholy Gods: Banville on Olympus’, Dublin Review of Books (March 2010)

Reviews              

• Luke Russel, Evil: A Very Short Introduction, Society (November/December 2023), 1067-1070
• ‘Joe Cleary, The Irish Expatriate Novel in Late Capitalist Globalisation’, Irish Studies Review, 30.3 (September, 2022), 518-520
• Michael Ignatieff, On Consolation, Society, 59 (May 17, 2022), 305-309
• ‘Eve Patten, ed., Irish Literature in Transition, vol.5, Irish Studies Review, 29.2 (April, 2021), 276-280
• ‘Hedda Friberg, Reading John Banville Through Jean Baudrillard; ‘Pietra Palazzolo, Michael Springer and Stephen Butler, eds, John Banville and his Precursors; Neil Murphy, John Banville’, Irish University Review, 50.2 (November 2020), 391-396
• ‘Chris Arthur, Hummingbirds Between the Pages’, Irish Studies Review, 28.1 (January 2020), 149-151
• ‘Hedda Friberg, Reading John Banville Through Jean Baudrillard’, Nordic Irish Studies, 18 (2019/20), 155-159
• ‘Reading Pearse Hutchinson, ed. by Philip Coleman and Maria Johnston’, ESSE Messenger, 28.1 (Summer 2019), 108-112
• ‘Giulia Bruna, M. Synge and Travel Writing of the Irish Revival (Syracuse: Syracuse University Press, 2017)’, Nordic Irish Studies, 17.2 (2019), 205-211
• ‘George Moore: Across Borders, ed. by Christine Huguet and Fabienne Dabrigeon-Garcier, ESSE Messenger, 2 (Winter 2018), 30-34
• ‘Caoimhín de Barra, The Coming of the Celts, AD 1860: Celtic Nationalism in Ireland and Wales (Indiana: University of Notre Dame Press, 2018)’, Books Ireland 381 (September/October 2018), 39-40
• ‘Reading 1759: Literary Culture in Mid-Eighteenth Century Britain and France, by Shaun Regan’, ESSE Messenger, 27.1 (Summer 2018), 76-79
• ‘David Tucker, Samuel Beckett and Arnold Geulincx’, ESSE Messenger, 26.2 (Winter 2017), 68-69
• ‘Framed on the Threshold: Jo Baker, A Country Road, A Tree’, Breac (August 17, 2017)
• ‘Cian T. McMahon, The Global Dimensions of Irish Identity: Race, Nation, and the Popular Press, 1840-1880’, Nordic Irish Studies, 2 (2016), 154-158
• ‘Irish Theatre in Transition, ed. by Donald E. Morse’, Nordic Irish Studies, 14 (Autumn 2015), 153-158
• ‘Word and Image in Colonial and Postcolonial Literatures and Cultures, ed. by Michael Meyer’, ESSE Messenger, 23.1 (Summer 2014), 82-84
• ‘Andrew Tate, Contemporary Fiction and Christianity’, ESSE Messenger, 21.2 (Winter 2012), 73-75
• ‘Brian McFarlane and Deane Williams, Michael Winterbottom; Tony Whitehead, Mike Leigh; Peter Marks, Terry Gilliam’, Film and Film Culture, 5 (April 2010), 219-223